Red Hot Chili Peppers among the class of 2012 Rock & Roll Hall of Fame inductees

ROCK & ROLL HALL OF FAME INDUCTIONS 2012
CLEVELAND, OHIO PUBLIC HALL April 14, 2012
By R.M. Engelman

Once again it was Cleveland’s time to host the Rock and Roll Hall of Fame’s annual induction ceremony, it’s 27th. The performing inductees were The Beastie Boys, Donovan, Guns N’ Roses, Laura Nyro, Red Hot Chili Peppers, Freddie King, and The Small Faces/The Faces (Rod Stewart previously inducted). Also in a new move, the Rock Hall now recognizes the backing groups of other frontmen previously inducted, The Blue Caps (Gene Vincent), The Comets (Bill Haley), The Crickets (Buddy Holly), The Famous Flames (James Brown), The Midnighters (Hank Ballard), and The Miracles (Smokey Robinson). These legends were graciously accredited and enshrined by Smokey. The non-performing inductee group included the legends behind the scenes, producer/songwriter Don Kirshner, engineer Cosimo Matassa, and producer/engineer’s Tom Dowd and Glyn Johns, all inducted by The Band’s Robbie Robertson.

The city’s gala at historic Public Hall unveiled the new walk of fame bronze stars commemorating this years inductees. Inductee Alice Cooper arrived to cheer on the newcomers (acknowledging Laura Nyro as one of his favorite songwriters), as did alumni George Clinton (noting that the Chili Peppers were family) arriving in his own “Mothership”, a big silver Zeppelin car/bus, with another Hall alumni “Kidd Funkadelic” guitarist Clevelander Michael Hampton, and the ominous “Minister of Funk” in black judge’s garb. George also performed with Cleveland born rapper Kid Cudi earlier in the week at a free concert put on by the Rock Hall. Actor David Arquette was here to do his best Don Kirschner impression during Carole King’s induction of her former boss, which also featured prior inductee Darlene Love performing Carole’s classic “Will You Love Me Tomorrow”. Cleveland biggies, Mayor Frank Jackson, Indian Chief Mark Shapiro, Brown’s head coach Pat Shurmur, and musician Jim Brickman were among the attendees.

The ceremonies went on with no Axl Rose (defiance), no John Frusciante (declined for reasons only he knows), no Adam Yauch (cancer), and no Rod Stewart (strep throat). Some behind the scenes scrambling had Simply Red’s Mick Hucknall taking the vocals with the Small Faces/Faces, Alter Bridge and Slash’s solo frontman Myles Kennedy leading the Guns N’ Roses configuration (including drummers Matt Sorum and Steven Adler), and the Beastie Boy tribute had Kid Rock, Gym Class Heroes’ Travie McCoy and the Roots’ Black Thought outfitted in matching old-school green jogging suits. The Beastie’s were inducted by rapper/actor LL Cool J, (who got his break when the BB’s gave his tape to producer Rick Rubin), and Public Enemy rapper Chuck D. The Chili Peppers brought out George Clinton, Billy Joe Armstrong, Ron Wood, and Slash for a finale of the some 5.5-hour gala, on Stevie Wonder’s “Higher Ground”. The Freddie King tribute including “Going Down” had Joe Bonamassa, Derek Trucks, and his inductors ZZ Top’s Billy Gibbons and Dusty Hill performing.

Chris Rock’s R-Rated induction of the Chili Peppers included how he first saw them by accident when he went to the wrong club expecting to see Grandmaster Flash. He described how he couldn’t understand a single word they were singing, their tube sock fashion statement, and extreme energy. Cigarette wielding John Mellencamp inducted Donovan Leitch with the strangest rambling speech, while offering up the first Donovan record he ever bought and admitting he stole his complete act from The Don. Don on the other hand, gave an eloquent poetic acceptance address, fitting of a true musical scholar. John joined Don onstage for “Season of the Witch”.

After Bette Midler’s teary induction of singer/songwriter Laura Nyro, singer Sara Bareilles did a fantastic version of Laura’s “Stoney End”. The Chili’s Flea was also choked up during accepting while acknowledging his mother who was present. Green Day’s Billy Joe Armstrong gave a longwinded dissertation of whatever, while presenting GNR. BJA revealed that after first observing the antics of the multi-talented GNR that they were on course to end up either being dead or in jail. E Street’s Miami Steve Van Zandt inducted the surviving Small Faces/Faces members Ron Wood (Rolling Stones), Ian McLagan, and Kenney Jones by saying that they were fortunate enough to have the two best white soul singers ever in Steve (Stephen Peter) Marriot and Rod (Roderick David) Stewart.

The event and entire week of activities was extremely well executed, and came off making the city a winner. At least a zillion things needed to be done efficiently from the planning phase to the finish line in order to hit it out of the park. Everything from the accommodations to the security was well thought out and executed. Backing bandleader, Letterman’s own Paul Shaffer did a great job of both arranging and playing. I personally thought the performance highlight was GNR, as Myles and Slash really nailed everything down with a vengeance. Myles calmly hit the notes from high to low, being in great form from recently touring with Slash.

The event was simulcast at the Rock Hall. To get the full feel and vibe and all of the nuances and madness, catch the ceremony, which will be shown on HBO on May 5th.

Share

“Make it Count” 2012 NAMM convention overview by David Sampen

NAMM (National Association of Music Merchants) Convention overview by David Sampen

“Make it Count,” was definitely the theme of the 2012 NAMM show held at the Anaheim Convention center. Walking among the near 100,000 in attendance this year were several industry greats like Alice Cooper, Lee Sklar, Jackson Browne, Lee Ritenour, Rob Weir, Mikkey Dee, Nikko McBrian, Stevie Wonder, Steve Vai, Earl Slick, Neal Schon, Albert Lee and countless others music greats. A true highlighted moment was in meeting for the first time award winning drummer and producer, Johnny Rabb. Mr Rabb had been so kind earlier in the year to offer his own interpretation of a dear friend’s musical vision entitled “Metro” which will soon be released to the general public. Everywhere you gravitate towards in this building it is electrifying and eye opening to what the future holds for music and technology.

Digitech is “making it count”, by offering a nice solution to excess chords, power adaptors, and even the occasional beer spilled onto your expensive pedal board. The DigiTech iPB-10 is now on the market and basically takes all of your old pedals and puts them in one place on your i-pad. Simply lift the protective hatch, place your i-pad in the designated area, close the hatch door and you are ready to create as many pedal board combinations as your mind will allow. I believe you can only run up to 8 effects simultaneously but this is more than most will ever need at once and the combinations and tones are endless. I really appreciated the idea of sitting in the comfort of home and creating my sound effects on my i-pad and then having the versatility and durability to use the same piece of equipment on stage during a rock show. At first I thought to myself that this might be too complex for the average player, however, we do live in a very advanced day in age and seeing as how some 5 year olds are now capable of operating computers to an extent, I am sure the learning curve will not be a difficult one to overcome. After five minutes of use I was ready to go off on my own and explore a whole new world of effects combinations and possibilities.

It can be difficult to make every moment count when you are so overwhelmed by the sights and sounds echoing throughout 1.6 million square feet of space at the convention center. One minute you are enticed with a potential autograph from Steve Vai and the next moment you are drawn into a conversation with Eddie Van Halen’s main guitar builder. To not have a plan of attack was my plan of attack at this years event, an itinerary at this point would have only ended up in sheer disappointment as it is nearly impossible to see everything there is to see in just four days. After waltzing through Fender, Peavy, Charvel, Gibson, Taylor, Martin, Kramer and several other of my absolute all time favorite guitar makers, I found myself at Eddie Van Halen’s booth playing his new line of 2012 EVH Wolfgang guitars. Somewhere between my version of “Eruption” or “I’m The One”, I was very pleased to sit and talk with product manager Chris Cannella as he offered me some amazing stories about Eddie and some insight to why the new EVH line is better than ever.

As a long time follower of Eddie’s I have played most every model he has come out with as well as building versions of the Frankenstrat and early model Van Halen replica guitars. Understanding what he was trying to achieve 30 years ago on some of his creations and seeing where the line of guitars is now has been an amazing experience. Some of the new configurations this year are a matte black finish, as well as a flamed maple finish. As well, some models will come with a fixed bridge with fine tuners. EVH’s new line of Wolfgang specials and Wolfgang Custom’s feature a new Ebony neck which has never been done before on any of his guitars. In my opinion the neck was very fast and extremely responsive. Ebony tends to rank very well on the wood spectrum when it comes to hardness, weight, and stability thus offering a great contrast to prior EVH models and the maple fretboards. Other noticeable differences were in the tone quality of the set neck guitars versus the bolt on. A set neck will create better vibrations and more sustain throughout the guitar because the energy is transferred more efficiently across the different wood surfaces.

Eddie has also released a new line of amplifiers including the 5150 III 50 watt head. This amp has a 30-watt, 1 x 12 Celestion Heritage speaker and is rated at 16 ohms. At 25 percent of the cubic size of the original 4 x 12 this model comes in either ivory or black and rocks about as hard as any amp I have every played “Hot For Teacher” on. This amp has all of the power required for any sized performance and will stand firm against the competition.

It was a privilege to attend this years 2012 NAMM Convention and overall it was a very memorable experience. It will be interesting to see how these new products are accepted and used by the general public. With so many different options to choose from the world of music continues to open up with no boundaries or limitations in sight. Thank you to those individuals who made it possible for me to be a part of this years NAMM experience and I eagerly look forward to seeing everyone next year.

David Sampen

Share

Check out the new Peavey self-tuning guitar at NAMM 2012!

Share

Kenny Wayne Shepherd joins “Unconventional” as we explore the 2012 NAMM Convention with Brian Engelman of The New American Media

Share

Puscifer Raises the Bar

by Chris Engelman
Lakewood Civic Auditorium, Lakewood, Ohio – Thursday, November 17th, 2011
Opening Band – Carina Round

What do you look for in a show?

Let’s be honest. A hard-earned buck doesn’t go too far anymore, so an evening out could very well turn into buyers’ remorse, rather than a night to remember.

Let me tell you. If you have a chance to see Puscifer live, go ahead and do your eyes and ears a favor and shell out whatever the hell Ticketmaster wants for a seat.

My wife and I drove almost three hours to see them in a glorified high school gym that couldn’t even serve booze, and it was probably the best investment of our 2011-2012 school year.

Puscifer and Carina Round dominated the 2,500 seat capacity Lakewood Civic Auditorium and will no doubt leave a lasting impression on every one of the attendees in the nearly sold out venue.

Carina Round and her well-dressed quintet set the tone to a seated audience that welcomed each and every heart-felt tune. Their sound is a tastefully layered, unpredictable whirlwind of raw emotion and style, rolled into an atmospheric and rockin’ ambiance that is sure to trigger lost memories in the most latent subconscious mind. The songs are not very catchy, but they can suck you into oblivion and cause you to forget whatever baggage you brought through the door. I was enthralled from the first to the last song, and was even quite choked up from time to time. It’s not often the opening act feels like a long, lost friend.

Now on to Puscifer.

Before Puscifer took the stage, the audience was treated to a pseudo-documentary featuring “Billy Dee” and “Hildy”, characters played by Keenan and Laura Milligan on Puscifer’s last tour. The crowd was then shown a Public Service Announcement featuring “Major Douche” barking orders not to use flash photography.

Maynard kicked off the show by dragging a trailer out onto the stage which included a few camping chairs and Carina Round. Keenan took the opportunity to tell a short story of how humans, in their hunter-gatherer days would gather ’round the central fire between day and night when the artistic and the utilitarian alike would be together in perfect harmony to evaluate the day ending, and plan the day to come. The pair set up the campsite while humming the intro to “Tiny Monsters” and invited the audience to join their campout and truly feel welcomed. (The campfire was a fake fire in a Weber-style grill). A campout with Maynard would not be complete without an opened bottle of red wine (more than likely a wine from his Caduceus cellars in Jerome, AZ.)

“Conditions of My Parole”, Puscifer’s newest release, comes across as a well-produced, well-mixed work of studio magic that would be difficult if not impossible to pull off live. This group performed a staggering 18 songs in their set, which included every single track from their most recent release, and delivered them flawlessly. Puscifer sounds like they’ve been playing together for decades and recreates each song as well, if not better than their recorded versions.

I found myself enjoying songs live that I didn’t care for on the albums, because some of them just translate better live. Perhaps my favorite – as well as the crowds’ favorite was “The Undertaker” from their debut album, as it was extremely powerful and even larger than life.

When I realized that the show was roughly halfway over, I immediately wanted to see them again.

SET LIST:
Green Valley
Tiny Monsters
Vagina Mine
Dozo
TOMA
The Rapture
The Weaver
REV 22-20
Polar Bear
Indigo Children
Oceans
Monsoons
Horizons
Conditions of My Parole
Man Overboard
Telling Ghosts
The Undertaker
Tumbleweed

Maynard James Keenan…………………….Vocals
Carina Round…………………………………..Additional Vocals
Mat Mitchell…………………………………….Bass, Guitar, Banjo
Josh Eustis……………………………………….Guitar, Piano, Banjo, Erhu
Jeff Friedl………………………………………..Drums, Percussion
Jon Theodore……………………………………Drums
Matt McJunkins………………………………..Bass

Share

Mike Huckabee & Brian Engelman @ 2011 NAMM Convention

Share

PUSCIFER’S new album; “Conditions Of My Parole” reviewed by TNAM music columnist Glen Enam

PUSCIFER: “Conditions Of My Parole”
Reviewed by TNAM music columnist Glen Enam

Nature Versus Nurture:

Puscifer’s new album “Conditions of My Parole” reflects the beautiful, yet harsh terrain of the southwestern desert that it was created in.

Maynard James Keenan is best known for fronting the bands Tool and A Perfect Circle, but the enigmatic Puscifer is yet another force to be reckoned with.

Keenan, originally from Ohio, lived in Los Angeles for years and after writing songs like “Hooker With a Penis” and the title track to “Aenima”, you got a sense that the culture of Tinseltown and its influence on society was starting to get the better of him.  It’s probably no surprise that he packed up and moved to the desert outside of the vortex-laden Sedona, AZ to the infamous former copper mining town of Jerome, AZ. Amidst recording and touring with Tool and APC, Keenan founded Puscifer, planted a vineyard and opened a winery.

Puscifer emerged with a song on the “Underworld” soundtrack and their first album embodied quite a bit of aggression while set in the sleepy southwest.  The album is fairly dark and brooding, and most songs are sung in a very thick, low tone with lots of vocal layering.  A few years ago, they released a five song EP featuring remixes and live recordings that gave listeners a glimpse into the melodic potential of this ever-evolving project.

Conditions of My Parole will satisfy fans of either end of their musical spectrum or anything in between.  The album is strangely nostalgic and futuristic both independently and simultaneously, but it clearly sounds like a group writing and recording in the moment. 

The record is a blend of ethereal, gritty, soaring, industrial, Americana, rock and country all rolled into one.

The group recorded tracks live in Keenan’s Caduceus Cellars and shipped the mixes off to the world famous Bob Ludwig and Brian Gardner for mastering.  They were even kind enough to allow streaming of the full album on www.spin.com for weeks leading up to the release. There is no shortage of ear candy from big live drums from multiple drummers (including ex Mars Volta drummer Jon Theodore), programmed beats, acoustic and trashy distorted guitars and basses, harmonica, synths, sultry backing vocals from Carina Round, banjo, mandolin and cello from Maynard’s son Devo.

Standout tracks: 
Tiny Monsters: A theatrical electronic album opener
Monsoons: An uplifting homage to the heavens
Man Overboard: A dark and detailed account of a perfect storm on the high seas
Conditions of My Parole: A quirky and rocking’ tune about a devil woman, and a run in with the law

So light some candles, open a bottle of complex red wine, and crank this one up.  It is a perfect soundtrack to celebrate the spirits of the fall and get you through the winter. Like well tended grapevines, Conditions of My Parole is the product of time, patience, perseverance, climate and devotion. 

You Tube: http://www.youtube.com/pusciferdotcom
Twitter: http://twitter.com/#!/puscifer
Amazon Download: http://tinyurl.com/Puscifer-COMP

Share

SUBLIME WITH ROME’S new album “Yours Truly” is truly a blessing to SUBLIME fans!

As I listen to the new SUBLIME WITH ROME album, “Yours Truly”, I’m excited to finally hear new original content from SUBLIME (with a new singer), and I’m (somewhat surprisingly) not sad thinking about the loss of Bradley Nowell. I don’t feel sorrow, I just feel joy remembering what Bradley started and I’m looking forward to the additional chapters of what Rome is now continuing. Nowell, the lead singer, guitarist & founding member of SUBLIME passed away on May 25, 1996, right before SUBLIME burst onto the National stage. This left fans singing songs they could never see live. Now we can!

As a huge SUBLIME fan, I’ve had ample time to grieve the loss of a music hero of mine, so I’m celebrating the promising future of SUBLIME WITH ROME, while looking back on some classic music that Bradley provided so many years ago. I’m also reflecting on the past 15 years, and realize that SUBLIME has always been walking along side of my personal musical journey. Millions of fans worldwide would tend to agree. I listen to “Yours Truly” and in a way, it feels like SUBLIME never left. I know there were many years in between releases, but this album links to the other albums in a cohesive manner. I guess it helps having 66% of the original members! SUBLIME was arguably the biggest rock band of 1997, but almost none of their new fans ever had a chance to see them perform live. Now that Rome has joined the band, we all get to see the live show, and finally hear the new SUBLIME songs that we’ve been waiting for since the end of Bill Clinton’s first administration!

If there are fans who wish to compare Rome Ramirez to Bradley Nowell, I encourage them not to. If you must compare Rome to Bradley, please keep it positive. Let me explain. If you want to say that SUBLIME WITH ROME is the best SUBLIME cover band on planet Earth, then I can understand your point of view and even agree with that. If you want to appreciate and be thankful that we can finally attend a live concert and sing their songs, then I’ll agree with that too. There are some ignorant and foolish comments floating around (God bless the internet), and I wish to address some of it. I’ve read a handful of postings in message boards under youtube videos, and seen many encouraging and appreciative comments, along with a couple ridiculous & negative comments badmouthing Rome. I want to defend & thank him,… profusely!

First off the guy is talented. I’ve scoured recordings from the past 2 years prior to the release of this album, and if somebody has the chops to carry Bradley’s torch forward, it’s Rome. Rome is a good guitar player & a talented and soulful singer, so what more could any true SUBLIME fan hope for out of a new singer. Rome is not replacing Bradley, because nothing can replace Bradley. Let me repeat: NOTHING WILL REPLACE BRADLEY. Rome is working hard to do what Bradley cannot do since he’s no longer with us. If given the choice between learning to appreciate a new SUBLIME singer, and only having the same original albums from the 90’s, I’m thrilled to rock out to some long overdue & catchy new songs.

I can’t speak for Bradley, but I will say that if I were in a successful band and passed away, I would be thrilled to have a talented musician join my band mates and continue what I had started. I would want that for my fans. I would want that for my band members. I would want that for my legacy. I would want that for a whole new generation who might not be exposed to my music otherwise. Perhaps Bradley might feel the same. I was in several bands in high school & college and sometimes we changed lead singers 3 or more times & still kept the band name. It was more important to me that my musical vision continued despite lineup changes, arguments, and setbacks.

Some of our fans said that we should have changed the name when the lineup changed. I disagreed. If I wasn’t done making music, then the name stayed. Some SUBLIME fans don’t want to see this band touring while connected to the name, (They picked the name SUBLIME WITH ROME for legal reasons). Founding members Bud Gaugh (drums) and Eric Wilson (bass) weren’t done making music when Bradley passed away, but it obviously threw a wrench into the spokes of their life. SUBLIME WITH ROME’S new release “Yours Truly” is truly a blessing for every fan of SUBLIME who never got to enjoy a live show before Bradley left us a decade & a half ago. Finally, we can jam to some new SUBLIME and catch a live concert that will continue the journey that Bradley Nowell started so many years ago.

On a related note, one of the first cover songs my high school band learned in 1996 was “What I Got”. One of our most popular cover songs in college was, “Santeria”. I’m a drummer first and foremost, but I always ended up singing. It was always easier for my bands to find fantastic drummers to take my place than it was to find a great singer. I always felt it was more important to just get on stage and perform even if we didn’t have a perfect lineup. In a way, I suppose SUBLIME WITH ROME is in a similar situation since their great original singer Bradley Nowell isn’t available, but choose to get back on stage anyway. Luckily for all of us, Rome has the talent to make a smooth transition between lead singers. SUBLIME was always one of the few bands that I could sing well because Bradley was in my range, and I suppose that was one of the reasons why I’ve shared a special kinship with SUBLIME.

Without going too much further discussing my musical exploits, I tell you all of this to explain that I was rocking a homemade SUBLIME t-shirt created with a decal obtained from Hot Topic shortly after I first heard “Date Rape” on late night Cleveland radio in high school. The SUBLIME bug bit me before most of my friends even heard the 1996 self titled debut featuring the hit singles, “What I Got”, “Santeria”, “Wrong Way”, & “Doin Time”. I’ve been much more than a casual fan of SUBLIME for a very long time. This new release is important to me as a fan. New music from SUBLIME WITH ROME feels right.

Since “Date Rape” cracked me up, and made me an instant fan so many years ago, I’ve listened to their music, performed their music, and appreciated the musical talents of SUBLIME. Now I finally get to see them live when they tour with 311 this Summer.

Nothing is going to replace Bradley Nowell. If we can all agree upon that point, then you should also agree that Rome deserves a standing ovation. Bradley never got to experience the rewards of success, and thus never had to carry the enormous weight and pressure that comes with stardom. Rome has to do just that, while knowing that he will forever walk in the talented shadow cast by the original SUBLIME founder & catalyst, Bradley Nowell.

Anyone willing to walk in those enormous shoes deserves our respect, and appreciation. Imagine the burden of trying to meet the expectations of millions of rabid SUBLIME fans, some of whom were not even born during Bradley’s lifetime! I commend the band for adding a new singer/guitarist. After watching youtube clips of Rome from the past 2 years, it seems like he continues to polish his craft, and gets better with each live performance. After a few years of live shows, and acoustic performances, now we finally have a brand new CD with original music that doesn’t disappoint.

SUBLIME WITH ROME’S “Yours Truly” was produced by the Butthole Surfers’ Paul Leary who also produced the last SUBLIME album in 1996. The first & fourth tracks; “Panic” & “Murdera” are my early favorites off the album. They’re both tunes that could have easily appeared on a previous SUBLIME album. They both seem like natural follow up songs from the last cd. They both have the energy, funk, drive, and intensity that made me a fan in the first place. They’re both fantastic songs.

After listening to the album a couple of times, the second track; “Only” was the song that stuck in my head all day yesterday. After a few listens, the rest of the tracks are starting to grow on me as well.

“Paper Cuts” sounds like a blend between some dirty pop punk from early SUBLIME mixed with something off of NIRVANA’s “Bleach” album. “PCH” is an upbeat Summer pop song I could imagine Jack Johnson blaring from his convertible while driving around Hermosa Beach.

“Lovers Rock” is a singable reggae jam, featuring outer space digital drum samples that’s both catchy and campy in the classic way that only authentic reggae can produce.

“Can You Feel It” is a stoner smoke song featuring Wiz Khalifa that already has me envisioning what it will be like if/when they perform this song live and under the sun with thousands of fans.

“My World” is a driving rock anthem where Rome sings; “My head’s up in the clouds, and I like it that way, and there’s no coming down, The world is my new toy, I’ve got so much pressure on my damn shoulders, I swear to God is weighing down on my world”.

I can’t help but think that this whole experience has got Rome living in the clouds, while appreciating the high expectations of SUBLIME fans world wide. It has to be both awesome, and strenuous to try so hard to meet such high expectations every night on tour. SUBLIME WITH ROME has started off on the right foot, and I’m thankful that the guys came together to continue the legacy that was started so many years ago. If there’s anyone who can handle the immense expectations, it seems as though Eric, Bud & Rome are up to the challenge. I’m truly blessed to enjoy new chapters to the book known as SUBLIME.

Review by Brian Engelman (Los Angeles, CA)

www.SublimeWithRome.com

Share